
About the Gallery
When you step into our gallery, you are welcomed by an atmosphere of creativity within a familiar, home-like setting. We present art where it belongs — within the spaces of the home. Among bedrooms, kitchens, and living rooms, art finds its place on the wall, surrounded by light and life.
From grand townhouses and stately apartments to the classic Copenhagen apartment, our works are presented in living environments where they are given the opportunity to unfold and be experienced as part of everyday life.
That is why our gallery is not tied to a single location, but regularly moves between Østerbro, Frederiksberg, and Kongens Lyngby. Here, the art can be experienced in different contexts, allowing it to meet everyday life and become part of the experience of choosing a work as a collector. Creating a connection, identifying with a work, and ultimately falling in love with it is at the heart of Out Of Art.
Gallery Opening Hours
Monday–Friday, 8:00–16:00, by appointment.
Contact
Phone enquiries:
Monday–Friday, 8:00–16:00.
Email: dfurman@outofart.dk
Phone: +45 26 70 52 70
Newsletter
By subscribing to our newsletter, you will receive invitations to our exhibitions, as well as updates from our Art Journal and information about upcoming and currently available works.
We look forward to welcoming you — both in our online shop and at our exhibitions and openings.



Upcoming Exhibitions
Discover Upcoming Exhibitions
The works are carefully selected for their value and significance within the art market, offering a unique opportunity to experience some of today’s most sought-after artists in one place
Prints & Multiples
Soon

Roy Lichtenstein, Sunrise, 1963 from unknown edition.
Modern Masters
In this section, we highlight artists whose work has left a lasting mark on art history. From timeless classics to groundbreaking creators, we present a selection shaped by our own interests and perspectives across the world of art.
Our selection spans different periods, practices, and mediums — from lithographs and other graphic editions to paintings, ceramics, and sculpture. Each artist is included because we find their work, artistic practice, or place within art history particularly compelling.
This is a reflection of the artists we find interesting and relevant — an evolving selection that offers different perspectives on art, its history, and the many ways in which it can be experienced and collected.

Pablo Picasso 1881-1973
An image composed of small squares and an asymmetrical face. A rejection of the traditional notion of what constitutes “real” art.
Picasso changed the way we understand art. He showed that art is not only about depicting the world realistically, but also about conveying emotions, ideas, and movement through radical visual experimentation.
How do we view art?

Ed Ruscha 1937-
A commentary on the American landscape and language
Ruscha changed the way we look at words and everyday imagery in art. He showed that art does not have to depict people or tell stories, but can instead take the form of a simple yet powerful visual gesture that encourages us to reflect on language and the world around us.

Roy Lichtenstein 1913-1997
Godfather of Pop-Art
Lichtenstein changed the way we see art and visual culture. He showed that art does not have to be solemn or unique, but can also serve as a playful, critical, and mass-produced commentary on the world and the time in which we live.

Joan Miro 1893-1983
A visionary and a leading figure of Surrealism
The way we see abstraction and imagination in art. He showed that art is not only about realistically depicting the world, but can also be a free and playful journey into the subconscious and the unknown.

Andy Warhol 1928-1987
Pop Art in a Can A Defining Force in the Pop Art Movement
Warhol changed the way we understand art and fame. He showed that art is not only about individuality and depth, but can also be a product of mass media as much a part of the world of advertising as it is of the museum.

Henri Matisse 1869-1954
Fauvism (from the French fauves, meaning “wild beasts”)
How do we understand colour and form?
He showed that art is not only about depicting reality, but can also be a purely visual and emotional experience — a celebration of life and beauty.